Meditations on the Nature of Mind-Meditation-five: The Self and Observations
by Eric Hoffmann on Monday, 11 April 2011 at 13:13
Before proceeding to a deeper examination of the self, we must reddress the slight that was given to the classical school of the Stoa in the last meditation.
Instead of asserting that the Stoics sought an either-or choice; it should have been said they sought a commitment. A commitment is a choice that effects an agents other choices. In other words the Stoics had developed a system of self-training, to free the agent from the vicissitudes of life. In effect the Stoics developed one of the earliest systems of self-help. The goal of the Stoic system was to free an agent from negative emotions. To accomplish this they made a distinction between impressions and how an agent reacts to the impressions. The Stoics that we have no power over what impressions we are subject to; only how we react to the impressions.
To begin the examination fo the self, a techinical distinction must be made between the "I" and the self. The "I" is an abstraction of the continuous feeling of being alive; this is the will or the appetite to expand. Thus the "I" is a gift of being alive. The self is a creation; it is what an agent does with the appetite to expand. The self the skills and belifs an agent learns to cope with the world and ather people. The self is created from the different minds that are learned by the agent. The individual mind starts in childhood; it is how the individual agent learns how to deal with other people and the environment as an indivedual. The private mind is how an agent learns how to cooperate in groups to achiene collectine goals. There is a bigger gap between standard minds and private minds than between private minds and individual minds. Standard minds require technical training. Unlike private minds and individual minds, standard minds do not fullfill the desires of the will directly. An example would be if an individual wants to catch fish using a boat, that she has to build. Learning how to measure and boat building do not directly satisfy the desire to eat fish. This is why standard minds demand a greater level of commitment than puivate or individual minds. This commitment takes faith; that the result of mastering the mind is worth the work. There must be an expectation that the mind can be mastered. When a mind has been mastered it becomes part of the self, as when people describe themselves as Doctors, Shipwrights, etc. This is of course paralleled in atheletic activeties; where a commitment must be made to master a physical activity. A lot of atheletic activities are unnatural such as throwing a curveball or ballet moves, but can be mastered with commitment. Even though ballet moves seem unnatural to begen with, a strange alchemy takes place and the moves become fluid and natural with practice.
The pressure young people feel in having to master standard minds may explain some of the alienation that seems to go along with youth. Most youing people when confronted with abstract disciplines feel their individuality gets lost in the discipline. To lift a term from Oswald Spengler which Spengler lifted from geology, there is a psuedomorphosis. Psuedomorphoris is when cyrstals of one type formi a cavity in a rock strata, then dissolve over time. When another type of crystals forms in the same cavity they take the same shape as the orginal crystals. Even though it is not the natural shape of the new crystals. If the student has enough commitment she makes the standard mind her own. If like ballerinas or tennis players where we observe physical changes in the musculature, there are corresponding changes in the brain and brain chemistry must be left to the scientists to discover. The self is a product of training; it is a creation of the agent in adapting to her environment.
The above discussion gives us a clue to the phenomenon of alienation. Marx thought that alienation was caused by the exploitation of a persons labor; Heidegger held that alienation was a primordial structure of being in the world. Our explanation is more simple. Alienation happens when an agent feels that she has lost control of her life or that her life has no purpose; when either other people or the inexorable forces of the universe are in control of one's destiny.This is of course common in young people where they feel their individuality is being forced into forms they have no control over.
The rest of this essay shall try to answer the question: Why did the ancients believe that being flowed from the top-down; instead of the bottom-up as modern people believe? Within this question is also the question : why did the ancients believe that only eternal things have true or real being. By " top" is meant the mental or thought, which the ancients identified with spiritual realties. To us moderns this seems an absurdly high standard for reality. It must be noted that the following answer is speculative, and must remaen so; since we do not have any ancient people to question. So we shall move forward in the martial spirit that holds; that even a bad plan is better than no plan. So a theory is offerid ; since a theory is better than no theory.
We must begin with a distinction between myth and reason. (mythos and logos) There is no opposite to reason, when a person is not using reason, we do not say that the person is using "unreason" or "inreason". The fact that there are no such terma as "unreason" or "inreason" confirms thes observation. When a person is not using reason they are using myth. By myth is not to be understood any particular stories from some region of the world. Instead myth is to be understood in a criterialogical sense: mythical thinking is what underlies rational thinking, rationality grows out of myth. Rational thinking is held together by logic, myth is held together by narrative. Myth has a story structure; therefore it must have a plot. In other words ideas are held together by using a story with a plot. The four ways to enplot a story are: romance, comedy, tragedy, and setire. Although different plots are not mutually exclusive, most good stories have a mixture plot lines. Romance is when good triumphs over evil; such as the story of Christ and Grail legends. Comedy offers a partial resolution, some problems are overcome and these partial triumphs are celebrated. Comedies typically end in parties, weddings, and other festive occasions. In tragedy even though the hero is defeated by the forces opposed to him, the hero and the audience gain some insight into the forces opposing the hero, so again there is a partial resolution. In satire ther is no triumph, no illumination, not even partial; everything is meaningless. Now we must return to the ancients.
The civilizations of the ancient world transmitted the knowledge of their culture in the form of myth. They had epics and stories about the gods that contained the morality and knowledge of the culture. Ancient Egypt reached a sophistication in myth that has never been achieved since.They even had gods or decans for the hours of the day. Myths all happen in time they have a story structure. All gods start out as regional spirits or individuals that excelled at a certin skill.Asclepius would be an example of the latter, he was the god of physicians in classical Greece. If one wanted to become a physician in classical Greece; he would join the cult of Asclepius. There he would learn the stories and exploits of the god Asclepius. This is how one would learn to become a physician in classical Greece. The want to be physician would try to embody the god Asclepius. This is how all specialized skills were learned. The general knowledge of the culture and morality were embodied in the epics; the specalized skills in the cults of the gods.Instead of connecting abstract ideas in logical connectives; abstract ideas were connected by a plot in a story or myth. This brings about the first transition; even though myths all happen in time, the initiate of the god can embody the knowledge of the god at different places and times. Here we observe the god begining to move outside of time. The god can be embodied by many different people and at different times. So the god moves outside of time; the god is greater than any of its initiates. The next transition is when the god is gotten rid of and only the story is kept to pass on the knowledge. When this happens the image-triggers become divenized. Soon the trigger becomes divine, they are seen as being outside of time and space. Every ancient civilization believed their language to be give by a god. One only has to recall in the Bible, God speaks to create. Another example of language being divine is observed in grimoires; these indtruction books on summoning angels and demons. The term grimoire is derived from grammer. With this transition, we are comming close to reason and logic. The only thing left to do is to get rid of the story. Instead of connecting ideas with plots, ideas are connected with logic.
Now we have Plato's Forms; the aspect that acts as the trigger to imagine activity has been divinized and is no longer connected with a plot line. All emplotment has been stripped away. Ideas are classified and connected through the use of logic and reason. Instead of connecting ideas through a story , a catagory could be used; such as "red" things,or wood things. Logic becomes a way to measure ideas. In myths one could be dead yet alive, or in two places at once but logic precludes and forbids such a way of connecting ideas. Reason and logic bring precission to ideas. There is a modern prejudice that thinks that logic and reason preclude any form of emplotment except satire. Modern analytic philosophy would be an example of this preijudice. There can be no doubt analytic philosophy has been spectacularly successfull at using satire to emplot their literature. Anyone who reads analytic litertureis awe-struck at the level of meaninglessness they have achieved. The ancients had no such prijudice; instead they thought they had discovered a new region. A mental or spiritual region as opposed to a physical region.
Classification and logic have no narrative form, so instead of seeming to be in time; they seem to be in space. Although,measurement and classification have no narrative form, it does not demand the use of satire as a plot. Exact measurement can help one build a better ship, but does not determine whether a warship, cargoship, or pleasure barge is built. The mistake the ancients made was they thought they were discovers instead of creators. They took their new new discovery and emploted it as aromance. The neoplatonics developed a system where a person could rise through the new regions to finslly become united with the One (God).
This top-down paradigm is still alive and strong in Descartes and Leibniz. It is now time to move to the fall of the top-down paradigm. Logic and reason help us to classify and measure new observations: for and aganist old observations, but they do not bring in new knowledge they only classify and measure observations already made. When the top-down paradigm crashed it brought in a new crisis; two examples of the crisis would be Nietzsche and Marx.
Nietzsche also worried that onlt satire was left to emplot knowledge; he saw this as the comming threat of nihilism which he annoced as the "Death of God." He countered this with a call for the tragic form of emplotment. Where everyone was to make her life into a tragic play; struggling against the inexorable forces of the cosmos to gain whatever form partial illumination they could. Marx wrote philosophy in the romantic mode to counter the satiric mode. Marx wrote philosophy like a grail romance; complete with struggle, transformation and a transcendent triumph of good over evil.The workers paradice is the end of history, so is outside of time.
Hegel wrote philosophy as a cosmic comedy. there are only partial resolutions that should be celebrated. Even Hegel's resolution in Absolute Spirit is partial since the cycle starts up again.
The real lesson of the crash of the top-down paradigm is not that everything is meaningless, but only the end is not yet written. We are the platwrights, we decide the plot.
